Wadjda – A ground breaking and a beautiful film

wadjda

Before I say anything about the film, let me give you a back ground of Saudi Arabia so that you will realize what went into making this film. Saudi is a country where women are not allowed to come out of the house unless their whole body (head to toe) is covered in black material, where women are not allowed to drive nor has the right to vote, where their husbands indulge into polygamy with least respect to the opposite sex. It is a perfect example of a conservative traditional male dominated society. I mean forget about the quality of the film for a while; this itself is a revolutionary and ground-breaking feat to make a feature film against all the odds in a country where this is there is no film industry and women are so repressed. You should get a feel about her strength, guts and determination to make it possible surviving all the hindrances.

66863In an interview the director of Wadjda, Haifaa al-Mansourto confessed that it took a toll on her to shoot the outdoor scenes of the film on the streets of Riyadh, the Saudi capital. Since the publicly mingling between the opposite sexes is strictly prohibited as per the law, she could not be physically present outside with his male crew team. Instead, she used to give instructions to his crew members through a walkie-talkie and watch the shots in a LCD monitor inside the van.

Wadjda is set up in Riyadh, the Saudi capital where a 10 year old girl (after whom the film is named) dreams of owning a bicycle when she is insulted by her male friend. The director uses bicycle as a metaphor of freedom quite magnificently in the film. Wadjda tries hard to convince her mother to buy her one but she is preached that women are forbidden to ride a bicycle because it meant not being able to have children. But this hardly becomes a reason for roadblock in the life of this rebellious young girl who adopts extreme measures to get money for the bicycle like endorsing women accessories and several other stuffs in exchange of quick cash in her school and expectedly soon she gets caught.

In the meantime, her father mentions that his mother is looking for a girl for his second marriage since Wadjda’s mother is not able to give him a male child. Her mother receives a tremendous set back and this changes the environment in the family. But Wadjda’s indomitable spirit knows no bounds and she decides to participate in the Quran competition in her school after hearing about the prize money although it was not quite her forte. She learns riding bicycle with the help of her friend, memorizes the Quran, learns to recite and even wins the competition but after that things don’t go as per her plan.

The performances in this film are beyond words and it never felt like anyone actually acted here. The role of Wadjda is portrayed by Waad wadjda1-620x412Mohammed and it’s really hard to believe that its her acting debut. She is spontaneous and the way she emotes through her eyes and smiles is an absolute treat to watch. Take a bow you little girl; you are a powerhouse of talent. Reem Abdullah as the Mother and Abdullrahman Algohani as Abdullah are pitch perfect in their respective roles and they leave no room for a single point of criticism. I was just blown away.

Wadjda depicts day-to-day lives of the people in the Arab country where common people are burdened under religion and baseless traditions. The film brings out the uncomfortable truths about the society so delicately that it will leave you choked. For example, take the scene where she writes down her name and sticks it on the family tree only to find out that it has been picked out the next day by her own father. On one hand he is proud of her daughter’s achievement at school but is ashamed to mention about her in the family tree and indulges himself into a second marriage with the hope of having a boy. The hypocrisy in people is so evident in each and every person starting from Wadjda’s father to the school principle who advises the students to raise voice during reciting or singing and yet doesn’t allow them to raise their voice when it matters. Her mother spends most of the time trying new outfits or involved in hair treatment which is of no significance once she is out on the streets in her covered black cloth.

wadjda-photo-05-350Wadjda is heart-breaking, yet a strong and emotionally uplifting story about the moments of small triumphs. This is a many layered film and yet the core of the film is simple and beautiful where the sad drama is blended with charming innocence. Wadjda is one of those rare gems which speaks about humanity, delivers a strong message and yet is an enjoyable ride and a rewarding experience for everyone. I am so happy that the film is gaining international recognition and created waves across the globe in different festivals and has been submitted from Saudi as Best Foreign Language Film at the 86th Academy Awards this year. Wadjda doesn’t provide any resolution nor does it intend to, she will still be a part of the repressed cultural and might have the same fate as her mother but it is a much needed strong voice from a conservative country that makes me feel proud as a human being.

Leaving you with the theatrical trailer of the film :

12 Exciting Films to end 2013

It’s already mid-October and we have hardly two and a half months left to wrap up 2013. It has been another wonderful year for cine lovers so far and it’s not yet over. If you see the lineup of upcoming releases for the next couple of months you will find ample reasons to be excited. As a film buff, I am eagerly waiting for these films which promise to be captivating.

Here are the 12 films and their trailers (in no particular order) that I feel will be worth spending money this winter.

1. American Hustle (Dec 13th)

From the director of one of my all-time favorite films Silver Linings Playbook, David O Russell comes up with another quirky drama film based on the FBI ABSCAM operation with a blistering star cast which comprises Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner and the goddess herself, Jennifer Lawrence. Going by the trailer, the film promises to be a cracker with the two extremely hot and dazzling leading ladies.


2. Shahid (Oct 18th)

Shahid is a biographical Hindi film directed by Hansal Mehta and produced by Anurag Kashyap based on the life of lawyer and human rights activist, Shahid Azmi, who was assassinated in 2010 in Mumbai. The film had already been screened in several film festivals across the globe including TIFF receiving accolades all around. The film stars immensely talented Raj Kumar Yadav, Tigmanshu Dhuliya, Kay Kay Menon & others.


3. 12 Years a Slave (Oct 31st)

Steve McQueen needs no introduction and when he directs a film, it’s certainly going to be special. From the director of profoundly moving Hunger and Shame, comes the most buzzing film of this year titled 12 Years a Slave starring Chiwetel Ejiofor, Michael Fassbender, Brad Pit and others.  People who have already watched this historical drama film in Telluride and Toronto Film Festivals consider this one as the major Oscar contenders this year and helmed it as the best film ever made on slavery. Well, let’s see how the Academy reacts after they shamelessly snubbed Fassbender’s breathtaking performance in Shame.


4. Blue is the warmest Color (Oct 25th)

The Winner of Palme d’Or at the 2013 Cannes Film Festival, Blue is the warmest Color became the first film to be awarded the prize to both the director and the main actresses. Based on the 2010 French graphic novel Blue Angel (“Le Bleu est une couleur chaude”) by Julie Maroh, the film is written, produced, and directed by Abdellatif Kechiche and will hit the U.S. theaters on October 25th. The film depicts the relationship between two young women (played by Adèle Exarchopoulos and Léa Seydoux) and will be released with an NC-17 rating in the United States.


5. Dallas Buyers Club (Nov 1st)

Matthew McConaughey is having a wonderful year with the already released Mud and the two eagerly anticipated upcoming films this year. One of them is Dallas Buyers Club. Directed by Jean-Marc Vallee, the film is based on the true life story of Ron Woodroof who was diagnosed with HIV positive and given 30 days to live. The trailer looks quite promising and I won’t be surprised if McConaughey snatches a nomination in the Best Actor category for this role.


6. The Past (Dec 20th)

After the ground breaking Oscar winning film “A Separation” (which belongs to those section of films that should be watched to understand cinema), the maestro Asghar Farhadi is back  with his new French-Iranian drama film Le Passe (The Past). The film is another complex tale of human relationships masterfully crafted by the director himself and already been selected as the Iranian entry for the Best Foreign Language category at the academy this year.


7. Inside Llewyn Davis(Dec 20th)

The Coen brothers are considered among the pioneers of the modern film-making for their extremely stylish and innovative way of storytelling. Their films have always been priceless, riveting and needless to say they are among my most favorite directors. Set up in 1960’s New York City, their latest venture Inside Llewyn Davis is based on the life of a struggling folk singer starring Oscar Issac, Carry Mulligan, John Goodman and others.


8. The Wolf of Wall Street (Nov 15th)

The Wolf of Wall Street is directed by Martin Scorsese. Do I need to say anything more? Doesn’t the last name has enough power in it to make you watch the film? The film is another collaboration of Scorsese and Di Caprio and also stars Matthew McConaughey, Jonah Hill and others. It depicts the story of a New York stock broker and is based on Jordan Belfort’s memoir of the same name. I would definitely not give this film a miss as anything from Scorsese is naught to be missed if you like cinema.


9. Nebraska (Nov 22nd)

Alexander Payne is back with his much awaited release “Nebraska” which won the Best Actor Award (Bruce Dern) at Cannes 2013. The trailer looks warm, charming and humorous and it’s undoubtedly going to be a joyful ride. Payne has always been noted for creating likeable and real characters that you can relate very easily. The story of the film revolves around an aged retired man who believes that he has won a million dollars as prize money in some lottery. His family tries hard to convince him that it might be a scam, but he is determined to take this trip to claim his money and eventually his son accompanies him. The film is about their journey where the father-son duo meets up people to whom the father actually owes money.


10. The Monuments Men (Dec 18th)

After the critically acclaimed “The Ides of March”, George Clooney is back in the director’s seat once again with the upcoming drama film The Monument’s Man with a stunning star cast including Matt Damon, Clooney himself, and Cate Blanchett. The film is based on the book The Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History by Robert M. Edsel.


11. Philomena  (Nov 27th)

Philomena is a 2013 British drama film directed by Stephen Frears. The film stars extremely talented Judi Dench in a central role and depicts her journey and discovery of her relationship with her son. The trailer looks quite moving and I am predicting a nomination of Dench in the Best Actress category this year. The film was awarded the People’s Choice Award Runner-Up prize at TIFF 2013.


12. All is Lost (Oct 18th)

All Is Lost is a 2013 drama film and it features the legendary actor Robert Redford as a sailor who is lost in the sea. He is the only actor in the film and there is no one else in the supporting cast and there is barely any dialogue in the film. The film was screened in Out of Competition category in Cannes Film Festival and it received brilliant responses especially about Redford’s riveting performance.


Some other notable mentions which I cannot include in the list as I am unsure of their release dates:

  • Her
  • Ugly (Indian Hindi language film)
  • Under the Skin
  • The Disappearance of Eleanor Rigby
  • August Osage County
  • Bethlehem (Israeli Film)

Why Lunchbox should have been the best choice for Oscars

So FFI announced India’s official entry for Oscars this year and surprisingly it’s not “The Lunchbox”. A Gujarati film named “The Good Road” is selected as the official entry over Lunchbox. I haven’t seen the film, so I can’t really comment about whether its better than Lunchbox or not. But when the Indian & western media and world renowned critics were rooting for Lunchbox as the best Indian film in years and considered it a strong contender for Oscars in Foreign Film Category this decision from FFI came as a major surprise or rather disappointment.

Why Lunchbox should have been the best choice for Oscars this year :

1. The main roadblock which every Indian film (including Lagaan which made it to the Top 5) face is the expensive campaign to promote the film in US. The Lunchbox was already a winner here. Sony Picture classics who have a brilliant track record of Oscar nominations handpicked this film for US distribution seeing Major Oscar potential.

2. The film has received overwhelming response in all the major festivals where it had been screened including Telluride, Cannes, Toronto and numerous others from all sections of the media which very few Indian films have ever managed to.

3. It has received rave reviews from all the Indian critics. When do you remember the last time Raja Sen & Rajeev Masand rated an Indian film 5 stars.

4. All the Oscar prediction analysts in the west, Hollywood reporter, and personalities like Michael Moore, Salman Rushdie, Javed Akhtar and others have mentioned that The Lunchbox is the film that has major potential of making it to the top 5.

We have made horribly wrong choices sending films for Oscars in the past and hope its not the same this year. So, all the best to The Good Road and hope it does make it to top 5 because The Lunchbox had a huge chance to get there.

It will be a tough road for  The Good Road to find a decent producer and market the film in US. Its well and good if it makes to the top 5 and if not, it will be a shame on the face of FFI. Choosing a regional cinema over a well deserved Bollywood film for the sake of showing something different will only prove their worthlessness yet again. Look at the choices they made over the last few years. Ekalavya,  Jeans,  Paheli,  Barfi (which itself is inspired from Hollywood one). What more we could expect!!

Let us now look at some of the twitter reactions  :

First time and i really mean it First time i really was excited because first time we knew we had a chance, first time i was waiting for it.Now i feel like crying in desperate frustration.. and i believe there were some very wise people on the jury

– Anurag Kashyap

Haven’t watched The Good Road so it’s unfair to knock it, but I’m heartbroken that The Lunchbox wasn’t picked as India’s Oscar entry.

– Rajeev Masand

Purely India’s loss, this #Lunchbox oversight. I do think Irrfan has a considerable chance in the Best Actor race. #MainCategories #Oscars

– Raja Sen

#heartbroken we could have gone the distance we were told by our US distributors, by the Hollywood press…

– Ritesh Batra (Director of The Lunchbox)

Oscar is not at all the last word to judge a cinema. There have been some great English films in the past which were snubbed by Academy & some non-English films not been nominated in Foreign category. That doesn’t mean those films were not great. They are path breaking legendary masterpieces in their own way and an Oscar might be too insignificant to judge them. I never said its the end of the road for The Lunchbox that its not been sent for Oscars. It is and will still be an equally great film irrespective of whether its nominated or not.But here we are talking in a completely different context.When you send a film for your country, you will obviously send the one which has the best chance to win. Even though I assume that the Gujarati one and Lunchbox are equal in cinematic excellence, but winning an Oscar or making it to the top 5 for a foreign film doesn’t need only merit but several other factors (already listed above) which were in favor of Lunchbox. Do you remember any Indian film in recent times which have been actually considered by the foreign critics everywhere across the world as one the major contender for Oscars? Analysts who have been doing Oscar prediction for 25-30 years have kept Lunchbox in top 5, Sony Classics have come on board for US distribution seeing the Oscar potential in it. Has it ever happened for any Indian film? Well, atleast I don’t remember. And regarding FFI, I don’t much trust on their cinematic sense irrespective of who is the chairman after seeing the past string of films which have been sent for Oscars. Although Oscar is not the last word but its a dream come true for any film maker and it gives you the world wide recognition, fame and respect which everyone desires for. Films from Iran, Argentina and many small countries have won Oscars but we haven’t ever. The reason is not just our films are not at par with International cinema but films which are we actually don’t send them

Leaving you with the trailer of The Good Road